Raye to Voice Character and Make Music for Benny Safdie Film Based on 1976 Novel Lizard Music

The entertainment landscape is bracing for a surreal cinematic experience as multi-hyphenate artist Raye has officially signed on to contribute both voice acting and original musical composition to Benny Safdie’s upcoming film adaptation of the cult classic 1976 novel, Lizard Music. The project, which has been described as a genre-defying blend of live-action cinematography and sophisticated CGI, has already garnered significant attention for its sprawling, high-profile ensemble cast. The film is slated for a wide theatrical release on December 25, 2027, positioning it as a major holiday feature.
A Star-Studded Production Ensemble
The casting for Lizard Music reads like a definitive list of contemporary Hollywood heavyweights. Beyond the inclusion of British singer-songwriter Raye, the production features Dwayne Johnson, who is also serving as a producer, alongside Theo Leber, Alicia Silverstone, Tim Heidecker, Arya Parvathi, Regina Hall, Colman Domingo, Jeff Goldblum, Rachel McAdams, David Krumholtz, and Andrew Dice Clay.
This diverse roster of talent reflects the ambitious nature of the project. Benny Safdie, known for his gritty, high-tension directorial work in Uncut Gems and Good Time, is pivoting toward a more whimsical yet arguably equally intense narrative structure with this adaptation. The film is being brought to fruition by an experienced production team, including Scott Stuber and Nick Nesbitt of UA, David Koplan of Magnetic Fields Entertainment, and Safdie’s own Out for the Count Productions.
The Source Material: A Cult Classic Rediscovered
The narrative foundation of the film lies in the 1976 children’s novel Lizard Music by Daniel Pinkwater. Pinkwater, a prolific author known for his absurdist humor and imaginative storytelling, created a story that has resonated with generations of readers for its strange, otherworldly charm.
The plot centers on a young boy named Leber, who happens upon a late-night television broadcast featuring a group of lizards performing surreal, unearthly music. This discovery propels Leber into a series of madcap adventures, leading him to forge an unlikely alliance with an eccentric character known as the "Chicken Man" and his constant companion—an octogenarian chicken named Claudia. Together, they embark on a journey that spans the universe, seeking answers to the mysteries surrounding the musical reptilian phenomena.
For Safdie, adapting such a beloved and eccentric piece of literature is a significant creative departure. The choice to incorporate both live-action and CGI suggests an aesthetic that aims to capture the "unearthly" nature of the music described in Pinkwater’s prose, grounding the fantasy in a visceral, visual reality.
Raye’s Expanding Cinematic Footprint
The inclusion of Raye in Lizard Music marks a pivotal moment in her career as she expands her artistic output beyond the recording studio. Following the critical and commercial success of her second studio album, This Music May Contain Hope, released in May 2026, the artist has been aggressively moving into the film industry.
Earlier this year, it was announced that Raye had been cast in the crime drama Lineage, directed by Yann Demange. That project served as her formal introduction to dramatic acting, following a brief appearance as herself in the Netflix series Black Rabbit. The decision to have her compose original music for Lizard Music is particularly noteworthy, given her reputation as one of the most prolific songwriters and vocalists of her generation. With her hit single "Where Is My Husband!" currently positioning her as a frontrunner for the 2027 Grammy Award for Song of the Year, her involvement in a high-profile film score offers her a platform to bridge the gap between pop music and cinematic scoring.
Production Timeline and Industry Context
The development of Lizard Music represents a significant investment from major production houses. The project began gaining serious momentum throughout 2026, culminating in the late-year casting announcements. With a scheduled release date of December 25, 2027, the film has approximately 14 months of post-production and marketing ahead of it.
The involvement of Seven Bucks Productions, co-founded by Dwayne Johnson, signals that the studio views this as a high-budget, tentpole release. Historically, the December holiday window is reserved for films that blend family appeal with broad-market critical intrigue. By selecting a property with a pre-existing, albeit niche, literary following, the studio is betting on the nostalgia of the 1970s source material while leveraging the massive social media reach of stars like Raye and Johnson.
Fact-Based Analysis: The Implications of Genre-Blending
The film’s hybrid format—combining live-action with CGI—places it in a unique segment of the market. Historically, films that lean heavily into surrealism and non-human character interaction (like those involving sentient animals or musical creatures) carry significant technical risks. However, the use of state-of-the-art CGI, combined with the grounded, improvisational performance style often associated with a Benny Safdie project, suggests that the film may attempt to subvert the traditional "family movie" formula.
Furthermore, the integration of an artist of Raye’s caliber into the composing process is a strategic move that aligns with current industry trends. Major studios are increasingly seeking out high-profile musicians to write original scores or songs for films, as this crossover appeal creates a secondary revenue stream and enhances promotional reach via music streaming platforms. If the music for Lizard Music attains the same cultural ubiquity as the singer’s previous work, the film could see a significant boost in its box-office longevity.
Official Responses and Future Outlook
While representatives for the various production companies have remained tight-lipped regarding specific plot details or the nature of the music, the enthusiasm surrounding the project is palpable. The blend of high-concept fantasy and grounded, character-driven storytelling appears to be the primary hook for both the cast and the creative team.
Industry analysts suggest that the success of the film will largely depend on the balance between Pinkwater’s original, slightly chaotic tone and the polished, modern production values of a studio release. Should the project succeed, it could pave the way for a resurgence in adaptations of similarly eccentric 1970s literature, which has largely remained untapped by major studios in favor of more conventional intellectual property.
As production continues into 2027, the focus will likely shift to the soundtrack and the reveal of the character designs for the titular lizards. With the film’s release date firmly set for the end of the year, the industry will be watching closely to see if this marriage of independent artistic sensibilities and major-studio backing can successfully translate the weird, wonderful world of Lizard Music to a global audience. The project stands as a testament to the evolving nature of Hollywood, where the lines between music, acting, and directing continue to blur in favor of more immersive, multimedia entertainment experiences.







